Wednesday, 29 May 2013

EMP Evaluation


I decided to spilt my EMP in half and completing two very different projects. The first a 1920’s suit, the second working within part of a team on The Threepenny Opera. I chose to do a self-directed project for the first part of EMP as I had decided that I wanted to focus my level 6 studies on menswear, specifically tailoring and I wanted to complete a project which focused on this. I wanted to create a suit that would build on and further my tailoring skills, some of the things that I wanted to cover included: a pattern match, a range of pockets and a new style of suit. For my dissertation I looked at tailoring and from this watched the TV series Boardwalk Empire, which showed a range of 1920’s suits. I decided to take this as inspiration and create a suit based on one that the principal character Enoch ‘Nucky’ Thompson wears. I collaborated with a designer to create an image to work from and referred to screen shots and historical research throughout to make my design decisions.

I used a range of different historical research to create this suit and made my design decisions through images from the series and historical research I collected. I hoped to gain primary research for this project; however although I contacted a range of museums none were able to help me. To gain historical accuracies I was able to look at Grahams notes of suits he had viewed, taking notes from these and using them to make decisions on the suit I was creating. I also wanted to use a traditional tailoring fabric to create this suit and I sourced English wool from H. E. Box. I believe using traditional fabrics and techniques is very important when constructing a suit.

As I was working individually I had to source fabrics and arrange fittings, this took me longer than anticipated and it really made me appreciate the work that a supervisor does. Working alone was a good experience however it showed me that I work better when I am part of a costume team. This decision to work independently also effected my time planning, as it was hard to meet deadlines I set myself, as they were easily adjustable. I also didn’t give myself long enough for certain tasks and therefore did not achieve deadlines. However I evaluated the work I had done and pushed myself to hit deadlines and I stated to catch up with the work that needed doing. However this meant that it took me much longer to complete the suit than anticipated and it therefore ran into the second part of my EMP project. I then had to work on two projects simultaneously and as I was working as part of a team for the second project this took over, as I had to meet deadlines. However I finished the suit in plenty of time and I am pleased with the outcome.

I then arranged a photo shoot. This was a new experience for me and I found sourcing the items time consuming. I based the photos on the intro to the TV series Boardwalk Empire as this is where I had taken inspiration of the suit. I worked with a first year photography student to create a set of images that we shot on Bournemouth beach. I am very happy with these photos and I feel they show the suit well. These images complete the project and I feel that they show what I am able to achiev.

The second part of the project was working as part of a team to create a costume for the production The Threepenny Opera. To begin with I was unsure about this project, as it was completely different form my first EMP project. However as I started to get involved with the project I realty started to enjoy it. I particularly enjoyed problem solving to create the unusual shapes and structures that the designer required. I also really enjoy working as part of a team and I had to collaborate with several others to make sure our costumes were linked. I firstly had to collaborate with the maker who was constructing Macheath’s Jacket as the costume had to look as a whole when it was on the stage. I also had to collaborate with the maker who was constructing Polly’s jacket as the costumes had to link as they marry in the play. Collaborating with other pushed me to work as par of a team, meeting with them to make sure our costumes linked together and having joint fittings.

Working as part of a team on a live production meant that I managed my time much better as I had set dates that I had to have items completed for. I hit all the deadlines for this part of the project and in some cases I was early, meaning I was able to help with other costumes for the show. I feel that I work best when I am part of a team and working on a live production fills my work with energy.

This project also gave me the opportunity to try millinery and I created a trilby hat. This was something I had wanted to try for a long time and I am pleased I have whilst at uni. Millinery has a structural methodical approach to it and this is a way that I work well. I made the majority of the trilby however I had help with the finishing’s as it was an extra to my project and I did not have enough time to finish it to the standard desired. I am happy with the end result and I am able to take this skill and use it again.

I helped with several other parts of this production. I altered a suit that was to big for the actor and attended fittings for the suits. This is a really useful skill to have as alterations play a bit part of theatre work. I also created a bionic leg for one of the beggars out of Lycra and a tie to go with Polly’s zoot suit as well as helping with many other small alterations, adaptations and repairs.

I dressed and assisted wardrobe for the run of production. This is an incredibly busy week and I had to make sure I was together with all my work before the start of production week as there is no extra time. This week was very physically and mentally exhausting however it is good to see how the costumes are then used on stage. I am happy that I was part of the costume team for the production as it has furthered my knowledge of working backstage.

As an extra part of EMP I was also a dresser on A Midsummer Nights Dream. Reflecting on this I did not plan my time efficiently enough to do this as I struggled to keep up with other aspects of EMP. However in the weeks after I was able to catch up with my work and helping on midsummer’s added to my Backstage knowledge and has given me extra experience.

Overall I have really enjoyed EMP and though time planning is hard due to the length I managed to achieve all that I set out to at the begging of the project along with other tasks. I have achieved a wide range of different work that showcases the skills I have developed whilst at uni and through self-directed learning believe I am able to work confidently in the professional world.


Monday, 27 May 2013

Dorset Echo Review


Dorset Echo came to se the performance and wrote a very positive review about it.

Find it here: 

Sunday, 26 May 2013

Costume Changes - Stage Right


First Half

Jemma Wade (Polly Peachum) Jacket into Wedding Dress
Taking off her jacket and helping her into the dress, making sure make up put her fascinator on and making sure the costume is all sitting right.

Beggars to police
            Jackets hats and gloves off and police tabards on and shirts tucked in neatly.

Matt Jopling, street singer to reverend
            Taking his jacket and giving him his costume, which is put on on stage

Liam Atton, Beggar to Tiger Brown
Taking his beggar jacket, hat and gloves, putting his tiger brown coat on, polishing the lapels, de-linting the coat, making sure his collar studs work, cleaning his glasses and giving him his gloves.

Matt Jopling,
-Reverend to street singer

Cassidy Smith ( Jenny)
- Remove dress
            -After scene put dress back on and add coat.
           
Interval
-Collect Jesamine Oldman’s (Lucy Brown) coat and ring.
-Help with any problems

Second Half

Take Jesamine Oldman’s (Lucy Brown) up to her stating place and make sure it is sitting nicely before she starts goes on stage.

Police to beggars

Beggars to police

Matt Jopling
-street singer to warden

Police to beggars

Jemma Wade (Polly Peachum) Zoot Suit to jacket

Beggars to police


Saturday – Matinee and Final Night


11.30              -Arrive, Iron all laundry, prep for show.

3:30              - Matinee Performance.
            Dressing

5:30            -Prep for evening show, any minor repairs, ironing shirts

6:30            - Meet on stage with all of cast and crew

7:30            - Final show
            Dressing

10:00            - pack up costumes
            -get out

12:30            - Home


Friday, 24 May 2013

Friday – Dress Rehearsal and Opening Night


9:30             - Arrive at theatre and start any alterations, repairs or adaptations that need doing. I changed the cover buttons on a shirt, as the fabric was not working so we used the dyed Lycra. The hats needed names stitched into and the Petersham band re-tacking.

1:30            - Dress rehearsal viewed by schools.
The lights have been a huge problem during this production and one side on Macheath’s waistcoat stopped working mid way through the production. We tried several different batteries and a different pack and this didn’t work so he had the light of for the remainder of the performance. After the performance I spent a long time truing to find out what was wrong with the lights however they worked fine and continued to work for the remainder of the shows. We altered Jesamine Oldman’s (Lucy Brown) coat as it is hiding her face when she sings and this is making her feel uncomfortable. This has been an awkward alteration however it now looks good on stage and the actor is happy with it.


7:30            - Opening Night
There was nearly an accident on stage left with one of the spare wings that was propped up at the side of the stage. Our costume rail was next to this and one of the hangers knocked it making it topple. I luckily caught it and stopped it from falling we then had to get help from the stage manager to make sure it was safe for the rest of the performance. We moved the costume rail further away so it would not hit the panel again.


9:30             - Collecting and organising all the costumes, any quick alterations and sorting laundry
I re-tacked Dominique Planter’s ( Mrs Peacham) bra into place.  
Josh Barton’s ( Macheath ) trousers fit perfectly however by Friday night they were starting to fall down slightly and not sit quite as nicely on the hips. This was happening for several reasons; firstly throughout the production they were bei9ng worn constantly and they stated to stretch ever so slightly. Secondly he was not quite wearing them high enough and he had lost weight throughout the production. This was not a problem and it only meant that you could occasionally see white triangles of his shirt and they had to be pulled up when he was off stage. 

Thursday, 23 May 2013

Thursday – Tech Rehearsal


8:30             -Arrive at the Theater. Start any jobs and alterations that need to be done.
The cast did a tech rehearsal not in costume so we had the morning to work on the costumes. We then had to attach reflective strips onto the orchestra’s jackets. I also attached Petersham into the inside of some of the hats. The tumble dryer doesn’t work this meant that the body suits that were wet had to be taken to the laundrette to be dried for the show. After the show those with tumble dryers took the costumes home to launder, as we would not have dried them in time.

1:00             - Orchestra Fitting
Having the Orchestra fitting at 1 meant it was really difficult to complete the costumes in time for the run through however we managed to get them to a reasonable level and looking good for photos.

1:15            - Adaptations to orchestras suits.
            I lengthened the sleeves of a jacket and bound them in the tape.

3:00            - Tech rehearsal
            On stage dressing

6:30            - Rehearsal ended, notes, repairs
The girls Lycra body suits had which spaces on the waist and there was a not to say this was unflattering so I added a oval shape of the darker fabric on to match the rest of the suit.   I also changed the fastening, as it was a buckle on elastic and it was not tight, I removed the elastic and added a popper. There was also tacking remaining in the suit so I removed this.

8:30            - Home

Wednesday, 22 May 2013

Wednesday - Tech Rehearsal


8:30             - We arrived at the theatre and had a tour of backstage to make sure we were familiar with the layout. The costumes were prepped on the rails from the get in the day before. We had a meeting to assess what we needed to do to prepare for the tech.

10:00            - We got the cast into their costumes sorting out any problems as we went along. The major problem we had was with the lights in the whore’s body suits. The wires were not sitting properly in the suits and this was uncomfortable. The buyer went out and got body tape to help with securing the wires. I then switched a set of lights in and this gave the girl a small shock in the arm, this was because a cap had not been put on the end and a bare wire had been left loose. I then made sure all of the wires had caps on and succoured them with tape.

11:00            -Tech rehearsal started, we had a rough costume breakdown that we added to.  This was a very slow process. I was stage right with Melisa and Ruth and we made notes as we went through the rehearsal. During the Army song Josh Barton’s (Macheath) trousers split. I believe this was because there was a slight stretch to the fabric and I used a single stitch which I didn’t reinforce enough. It was a simple repair and I made sure that all the seams were reinforced. He changed into his trousers, which were black for the remainder of the performance. I also had to put a microphone pack into his trousers. This was something I was unaware about before the show. During the rehearsal we had more problems with the lights and one of the actresses ended up getting an electric shock on her bum. This was caused as the wires had not been connected properly and they had only been covered with fabric. When the body suit was being worn with all the movement the fabric moved and left the wires exposed which caused a shock.

1:00             -We broke for lunch and had a meeting to see what changes immediately needed to happen.  The main change was to add more decoration onto Polly’s wedding dress. 4 of us then proceeded to add chainmail diamonds and beads onto the dress as instructed. As this was such a big job Becky and I stayed beading and missed the rest of the tech rehearsal, as we were not necessarily needed on stage, as it was so slow paced. 

5:00             - After the tech we met again and had a meeting were we discussed more alterations. I then altered the collar of Jesamine Oldman’s (Lucy Brown) coat. The coat had a high stand collar that was blocking her face when she was signing in profile. I put 3 staggered darts into the collar to try and shape it more and I will go up to her starting point after the interval and make sure the costume is dressed correctly before she goes onto stage.

7:00             - We then had a second tech run in costume to see how everything was working, this was the first time I had seen the entire run through. We could also check that our costume breakdown was correct for the next day. Everything wend smoothly apart from just as the second half started Jesamine realised she didn’t have her microphone pack in. this meant that I had to climbed back down the ladder, run around to stage left and collect it, then run back to stage right and up the ladder to wear she was waiting. As this was the first time I had seen it through I had no idea how long I had to do all this and luckily we had plenty of time however it was very close.

10:00             - after run through organise costumes, any quicj repairs, meet to sort notes and prepare for the next day

10:30             -            Home

Monday, 20 May 2013

Dress Parade


The dress parade ran smoothly today and everybody was happy with how Macheath’s outfit was working as a whole. There were no changes to the makes of the costume, only small changes to the sourced parts. Seeing how all the costumes are working on the actors is really good and I am looking forward to production week net week.  


Tie



I created a tie to go with Polly Peachum’s Zoot Suit. I used a tie to trace a pattern onto the fabric and then cut out. I lined the tie and turned it through. Once completed I tied it with a half Winsor knot and set it like this. I then cut the back in half and finished the edges, adding a popper to fasten it at the back. 

Dress Parade


The dress parade ran smoothly today and everybody was happy with how Macheath’s outfit was working as a whole. There were no changes to the makes of the costume, only small changes to the sourced parts. Seeing how all the costumes are working on the actors is really good and I am looking forward to production week net week. 


Saturday, 18 May 2013

Bionic Leg - 3PO


As I have finished my makes for The Threepenny Opera I spent today helping on other things which need completing for the dress parade on Monday. This included finishing a bionic leg for one of the beggars. This leg was created with a pair of Lycra legging with one short leg. They had been cut out and partly stitched together and the reverse appliqué outline shape had been tacked on.  




I completed the reverse appliqué and stitched them together; I then fitted them to the actor, adding a waistband and stirrup. 


Once the designer had seen the fitting they decided that they wanted to add elastic strips to give it a more mechanical look.  I pinned the strips on noting the size, I then created the strips out of Lycra and attached them to the leg.


The designer was happy with the final outcome and I now have more experience with working with Lycra.

In the Echo

As part of the promotion for The Threepenny Opera there was a piece in the daily Echo. As Macheath is a principal character he was feature in this. However as this was before I had completed the costume there was still tacking in the costume.  


Friday, 17 May 2013

Week 20 Plan


Day
Morning
Afternoon
Evening
Saturday
Uni 3PO Help
Uni 3PO Help
Grace Eurovision party
Sunday
Theory work
Monday
9:00 Dress Parade
Alterations
Prep for interview
Tuesday
Prep for interview
Drive to London
Interview
Wednesday
3PO Tech Rehearsal
Thursday
3PO Dress Rehearsal
Friday
3PO Performance
Saturday
3PO performance
Sunday
DAY OFF